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Please use this identifier to cite or link to this item: http://ir.hust.edu.tw/dspace/handle/310993100/1891

Title: The Confines and Expression of Language in Italo Calvino’s Invisible Cities
Authors: Vince Jia-lin Lu
盧嘉麟
Contributors: 修平技術學院應用英語系
Keywords: Postmodernism
Meta-fiction
Lacanian Psychoanalysis
structuralism/deconstructralism
semiotics
後現代主義
後設小說
拉崗心理分析
結構/解構主義
符號學
Date: 2009-09
Issue Date: 2010-04-28T07:47:06Z
Abstract: Novel writing and reading have been radically challenged in various aspects related to the development of postmodernism. The semiotic and deconstructive strategies in the fiction provide an artistic work. For the reader, the literary work is a piece of art, employing multiple representations and representationality as a “collage. ”
The paper attempts to analyze how Italo Calvino employs Lacanian psychoanalysis and deconstructive stratagems to produce an aesthetic construct and how he deals with the medium of language and the problem of representation through the dialogues between Kublai Khan and Marco Polo in Invisible City.

小說之閱讀與書寫方式一直遭受到激進攻擊,然不可否認的或多或少是受到後現代主義發展有關。小說本體也在借用符號學與解構策略中成為一新的藝術。對我們讀者而言,文學作品就像是一件藝術品。此作品並藉由再湊合、再製造、與再呈現而成為新的形式,就像是「雜匯1 」一般!
本論文主要探討伊塔羅.卡爾維諾在《隱形城市》之中忽必烈汗和馬可波羅對話過程,並運用拉崗之心理分析以及後現代解構策略,來體現吾人欲以語言為媒介再現真實不足之企圖。
Relation: 修平人文社會學報 13, 47-54
Appears in Collections:[Department of Applied English] Journal

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